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R.E.M. Trivia Questions

How much do you really know about R.E.M.? Below are 8 true or false statements. Click each one to reveal the answer and explanation.

1.

The band's name was taken from a random dictionary entry meaning 'rapid eye movement'.

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Easy
✓ TRUE

The band randomly picked 'R.E.M.' from a dictionary, which stands for rapid eye movement. This serendipitous selection is a well-known part of their origin story.

2.

The mandolin riff in 'Losing My Religion' was played by Peter Buck on a vintage Gibson mandolin he bought for $50.

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Easy
✓ TRUE

Buck found the instrument in a pawn shop for $50 and used it to create the iconic riff, which became the song's signature sound.

3.

'Losing My Religion' was originally a working title that the band kept because it sounded mysterious.

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Medium
✓ TRUE

The phrase is a Southern expression for losing one's temper. The band used it as a working title and decided to keep it because they found it intriguing.

4.

R.E.M. never allowed their music to be used in television commercials until the 2000s.

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Medium
✗ FALSE

R.E.M. licensed 'What's the Frequency, Kenneth?' for a Microsoft Windows 95 commercial in 1995, before the 2000s.

5.

R.E.M.'s first ever live performance was at a church birthday party.

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Medium
✓ TRUE

They debuted on April 5, 1980, at St. Mary's Episcopal Church in Athens, Georgia, playing for a friend's birthday party.

6.

Michael Stipe once accidentally set fire to the stage during a concert in 1986.

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Medium
✗ FALSE

No such incident occurred; Stipe was known for mumbling, not pyrotechnics. The myth likely conflates with Iggy Pop or a different band.

7.

R.E.M. broke up because of a fistfight between Michael Stipe and Peter Buck backstage.

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Hard
✗ FALSE

The split was amicable; they simply felt they had run their course. No physical altercation occurred; Buck's later on-stage scuffle was with a heckler.

8.

R.E.M.'s album 'Automatic for the People' was initially conceived as a rock album before becoming mellow.

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Hard
✓ TRUE

Early sessions had faster, guitar-driven songs, but the band shifted direction after realizing the material suited a softer, more orchestral sound.

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